Download Public Enemy He Got Game Mp3 Files
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Download HE GOT GAME by PUBLIC ENEMY free. #1 rated music site. 6.5 Million songs. Get lyrics ♫ music videos for your iPhone®. All songs are in the MP3 format and can be played on any computer or on any MP3 Player. Live concert albums of your favorite band. Learn how to download music. Check out He Got Game by Public Enemy on Amazon Music. Stream ad-free or purchase CD's and MP3s now on Amazon.com.
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Everyone gets something different out of Public Enemy's music. Your personal circumstances dictate what feelings their lyrics and intense music provoke. A white woman living in Australia is bound to react to a song like ‘You're Gonna Get Yours' far differently to a black teen in Harlem.
But, no matter what you get from Public Enemy – whether you're drawn to the militancy of Chuck D's pro-black, anti-establishment message or you just like Flava Flav's clock – they are always going to make an impact. Right from their first record, 1987's Yo! Bum Rush the Show, their music was hardcore, heavy and impossible to ignore. “The year I dropped my first album, it came out the same year as Public Enemy's,” Ice-T told Kingsmill in 1993. “Chuck D was telling them ‘Miuzi Weights A Ton', meaning his mind was as powerful as a gun.
Making people understand ‘When I talk about my ammo, I'm talking about my brain power'. It was so heavy and so hard. “That record let me know that hardcore was gonna stay alive. For a while there, nobody else was really coming as hard as I was.”. When Chuck D put it so plain and clear, it made people look at the press differently. Ice Cube - triple j, 1994 Second record, 1988's It Takes A Nation of Millions to Hold Us Back, arguably hit harder.
Public Enemy had a bigger audience, but they were just as angry and knew how to get it across. “The media in America has had so much influence over black people,” Ice Cube told triple j's Richard Kingsmill in 1994. “They have been able to turn us against each other.
“But when Chuck D and Public Enemy came out with ‘Don't Believe the Hype', it was giving us an alternative to what we always thought. 'The people who print the magazines and who do the news, we believed everything that they had to say. “But when Chuck D put it so plain and clear, it made people look at the press differently.” Such was the power of Public Enemy's hip hop that no boundaries could contain its influence. It crossed over to people of all races, genders and with all manner of musical dispositions.
“Chuck is one of the only guys who's saying righteous stuff,” Henry Rollins told triple j. “He has sidestepped all the bragging, the talk about ‘how many guns I've got' and how ‘I can kill you' – he doesn't do any of that. He's putting out good positive messages to young people and old people.
Chuck is one of the only guys who's saying righteous stuff. Henry Rollins - triple j “And also the music and the production on Public Enemy records is just amazing.
Put that through your system and just blow it up.” “They broke the genre,” Pop Will Eat Itself's Clint Mansell told triple j. “Because of the sounds they used, the style of the rapping and the discordance they used.
It wasn't like regular hip hop. 'It was that Nation of Millions album that showed how you can put things together and just make something that constantly surprises you.” “They didn't make that record to sell records,” Rollins said. “Their pop album was Fear Of A Black Planet, it brought in the young people ‘Oh look at Flava Flav, isn't he funny?' This one is really hardcore. “The music is way more straight ahead, way more slammin', not as innovative maybe as Black Planet, but it's a lot harder edged and the lyrics are way more ‘Check this out, here are some facts.'